HD LED SCREEN TV

HD LED SCREEN TV
HD LED SCREEN TV

Thursday, May 29, 2014

LED display screen Linsn control system software(LED studio)------How to installation LED studio



LED studio installation

1). Please insert Led studio CD into PC CD-COM, and will pop-up installation dialog box. (If no dialog box pop-up, please double click the CD after select it.) As shown in below figure 4-1.


2).Choose ¡Install Led studio¡ to start installation guidance, as shown in below figure 4-2.And the serial no. is 888888.


3. After ¡LED Studio¡ software has been successfully installed, there will be a ¡LED Software¡
program group in the 【Start】/【Program】,then move to the ¡LED Software¡ under this program
group, click to start. As shown in figure 4-3 Also, there will be a ¡LED Studio¡ short -cup on your

desktop: as shown in figure 4-4: . Also, you can start the program by double click on the icon.








Monday, May 26, 2014

The new message-p6 indoor LED display in stock.



Currently we have p6 indoor LED display in stock.
Module: P6 indoor
Cabinet size: 576 x 576mm
Total 200 pcs.
Control system: Linsn
Refresh rate: >2000HZ
If want know the price, kindly let me know.


Shenzhen MR Photoelectricity Co.,Ltd
Email: kitty@mrled.cn kittyled@vip.126.com
Mobile: +86 13713796715
Fax: +86 755 81791520
MSN: kittyled@hotmail.com
Skype: kittykittysky
Web: www.mrled.cn

Sunday, May 25, 2014

Digidelta e Sport Lisboa e Benfica estabelecem parceria

Digidelta e Sport Lisboa e Benfica estabelecem parceria para os próximos seis anos
LISBOA – A Digidelta, através da sua marca NetScreen, assegurou o projeto de instalação e manutenção dos painéis publicitários digitais existentes no Estádio do Luz. O acordo assinado com o Sport Lisboa e Benfica tem a duração de seis anos e permite ao clube apresentar aos patrocinadores e anunciantes uma ferramenta de comunicação de alto impacto. A estrutura já implementada marcará presença no próximo jogo frente ao Futebol Clube do Porto, dia 12 de janeiro, a contar para a 15.ª jornada do Campeonato Nacional de futebol. 
O acordo estabelecido incluiu a produção de raiz, instalação e manutenção dos painéis LED Full Color no relvado do Estádio da Luz. A estrutura montada na primeira linha é visível em todos os jogos do Sport Lisboa e Benfica em casa, para a Liga Zon Sagres e particulares, num projeto de painéis publicitários digitais de alta tecnologia desenvolvida em Portugal e instalados pela primeira vez num recinto desportivo.
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A estrutura tem um comprimento de 122 metros na linha lateral e 66 metros em cada uma das linhas de fundo, num total de 254 metros lineares, o equivalente a 80% da cobertura de todo o campo. A solução implementada no Estádio da Luz com os painéis produzidos pelo grupo português Digidelta já mereceu o reconhecimento internacional da UEFA e abriu portas à internacionalização da tecnologia.
Para Rui Leitão, administrador da Digidelta, “O acordo assinado com o Sport Lisboa e Benfica traduz a elevada qualidade tecnológica dos equipamentos e assistência técnica da Digidelta. Disponibilizamos soluções inovadoras, feitas à medida das pretensões dos nossos clientes, e acreditamos que este ambicioso plano de implementação de outdoors LED de alta definição no Estádio da Luz marca o início de uma relação profícua e duradoura com o Sport Lisboa e Benfica. É um projeto impactante, que reconhece o valor do contínuo investimento da Digidelta em investigação e desenvolvimento na tecnologia LED Full Color.”
A Digidelta, através da NetScreen, é líder no seu sector de atividade em Portugal e uma das principais empresas europeias do sector. A empresa apresenta o maior número de instalações de painéis LED Full Color da Península Ibérica, contando com mais de 100 instalações a funcionar 365 dias por ano.
A implementação dos painéis publicitários LED de alta definição no estádio do Sport Lisboa e Benfica obedece aos mais exigentes requisitos técnicos definidos pela UEFA até 2018. O equipamento apresenta uma taxa de refrescamento que excede em quase 100% os requisitos, bem como um ângulo de visualização horizontal de 140 graus e redundância de dados e de sinal.
A NetScreen é a marca de painéis Led produzidos pela Digidelta, sendo líder de mercado neste sector em Portugal. Através de soluções tecnológicas altamente dinâmicas e flexíveis, a NetScreen tem ajudado a transformar a indústria da publicidade e comunicação digital, sendo o parceiro tecnológico das principais redes de painéis LED em Portugal, entre as quais o Canal Lisboa.
Sobre a Digidelta
O Grupo Digidelta disponibiliza soluções de comunicação nas áreas de impressão digital, labeling e tecnologia Led, resultante das suas atividades de investigação e desenvolvimento, tendo em 2012 registado um volume de negócios de 16,8 milhões de euros. A sua marca Netscreen é especialista em soluções de comunicação digital, fabricando e instalando equipamentos de promoção e publicidade digital, nomeadamente ecrãs de tecnologia LED e soluções de interatividade.

Monday, May 19, 2014

P1.9 HD indoor full color led display screen

P1.9 HD indoor full color led display screen---Indoor diecast aluminum cabinet already start mass production now. Contact for more details! kittysky0401@gmail.com, Skype: Kittykittysky


Sunday, May 18, 2014

The biggest OEM led display/ led screen/ led advertising panel/ LED billboard/ LED video wall manufacturer in China-----MR LED.



We are the leading OEM manufactures of LED Display Screens in China, which is professionally engaged in the production of Indoor, Outdoor and Semi-Outdoor LED Display screens in Single, Bi-color and Multi color for different markets such as Malls and Plazas, Traffic guiding signs, Entertainment and Stage, Shop sign boards and huge Media Bill Boards, Security Monitors etc. We are an ISO 9001: 2000 company, CE certified, RoHS certified, export licence holders.



Our assurance is to provide our customers best products with high quality and most reasonable prices above your level of satisfaction






Wednesday, May 14, 2014

MR LED DISPLAY MANUFACTURER

MR LED have the most advanced auto-assemble line and the biggest scale of production line, the production room more than 30000sqm, production ability more than 8000sqm per month, we are the biggest OEM manufacturer in China led display market.
 All producs are passed CCC, CE, ROHS, FCC etc safety test.
Contact us for more details: kittysky0401@gmail.com  Skype: kittykittysky  Phone: 0086 13713796715

Tuesday, May 13, 2014

Art on Digital Screens

Chief editor - Vladimir Krylov, PhD
Deputy chief editor - Michael Nikulichev, PhD
Today everything is being converted into digital formats: ancient manuscripts, archives, and art objects. Museums have to survive, and the only path to survival is through interaction, digital collections and virtual exhibitions.
Media façade on the Museum for Modern and Contemporary Art in Bolzano (Italy)Video wall in the Museum of Church History in Salt-Lake-City (USA)
Media façade on the Museum for Modern and Contemporary Art in Bolzano (Italy)Video wall in the Museum of Church History
in Salt-Lake-City (USA)
With its firm foundation in postmodernism philosophy, art transcended physical space. From realistic art-objects art moves towards virtual world. This tendency would remain still-born and relegated to the semi-dark museum interiors if it were not for the explosive growth of digital screen technology that allows to display, transform and multiply images in any quality and any number.
Urban Screens Project: “Surrey Art Gallery” in CanadaUrban Screens Project: “Surrey Art Gallery” in Canada
Gradually, art started to creep out of the museum walls into the city streets, at first using Light Festivals as an excuse. The non-commercial project “Urban Screens” kicked off with the idea of promoting multimedia technologies in urban setting at the beginning of the 21st century. Art festivals on LED screens in Russia were initiated by the “CityVision” advertising agency that used them to demonstrate full potential of LED screens that back in 2006 were still a novelty.
These projects proved that LED screens may be used not only for advertising but for promotion of culture and art among city population. Media façade and projection technology helped to transform whole buildings or featureless walls into fanciful mega-screens.
Today fast growth of digital screen networks (DOOH) turns screens not only into commercial tools for making money on advertising but into informationally-valid social objects. Modern DOOH networks convert public space into art space, informationally and aesthetically saturated.
Modern street-art traditionally included unique posters and graffiti. Today street-art is growing through slide shows demonstrated on DOOH screens, both LCD and LED. Thus, progress in multimedia and LED technology helps change the infrastructure of modern art, its logistics and economics on a global scale. A modern city gradually evolves into a spacious communication environment. It is no longer a place of dense habitation. Modern city is unable to take away the stresses and chaos of dynamic business environment but it can transform urban spaces into something more habitable, less stressful, more aesthetically pleasing and colorful with the help of digital outdoor exhibitions.
Here is a recent example of digital Amsterdam and Rotterdam subway art exhibitions for the famous Rijksmuseum that nicely fit into the completely un-museum-like underground environment.
Subway digital art gallery in Amsterdam and Rotterdam displaying masterpieces from RijksmuseumSubway digital art gallery in Amsterdam and Rotterdam displaying masterpieces from Rijksmuseum
Subway digital art gallery in Amsterdam and Rotterdam displaying masterpieces from Rijksmuseum
“Art on the Marquee” Project at the Boston Cyberarts and the Massachusetts Convention Centre“Art on the Marquee” Project at the Boston Cyberarts and the Massachusetts Convention Centre
Here is an interesting example from the USA. It is a long-term “Art on Screens” project under the auspices of the Boston Cyberarts and the Massachusetts Convention Center Authority. The Project offers public media art for display on the new 80-foot-tall multi-screen LED marquee outside the Boston Convention & Exhibition Center in South Boston that can be seen by more than 100 thousand visitors and pedestrians a day. The largest urban screen in New England, this unique digital canvas is one of the first of its kind in the U.S. to integrate art alongside commercial and informational content as part of the MCCA’s longstanding neighborhood art program.
In March 2014 five large US museums agreed to collaborate with the Outdoor Advertising Association of America (OAAA) in conducting a nationwide celebration of US artistic legacy. Previously such events were organized only in iconic locations such as Times Square, Sunset Boulevard and Route 66. Starting on August 4, 2014, and continuing for four weeks, these places and more will be transformed into free open-air galleries for masterworks of American art through Art Everywhere US, the largest outdoor art show ever conceived. Approximately 100 recognized masterworks of American art from the museums' collections will pop up on as many as 50,000 displays nationwide, including static and digital billboards, subway platforms and trains, buses and bus shelters.
“Art in Transit” on LED screens (Pattison Network)“Art in Transit” on LED screens (Pattison Network)
Something similar but on a significantly smaller scale is regularly conducted by Pattison Onestop Group. The Group organizes thematic art-shows “Art in Transit” on a network of its own digital screens in shopping malls across Canada. For example, in May-June 2014 the Group conducts “Cutting Up Culture” project that showcases many ways in which imagery can manifest both conceptually and stylistically in contemporary collage practice. Combining images sourced from contemporary and historical sources with graphical and design elements, the artists’ show how playful pastiche and nostalgic allure can be created through collage. Their diverse aesthetics and vision bring new meaning to imagery, whether it is iconic, ironic, retrograde or obscure.
Art Festival on digital screens of the Ocean Outdoor NetworkArt Festival on digital screens of the Ocean Outdoor Network
In Britain such campaigns are usually conducted on digital screens belonging to Ocean Outdoor Group. Their LED screens frequently carry diverse images in the series of “The Art of Outdoor”, an interactive program that includes direct participation of the public in creative festivals.
These examples are numerous. What is important is that an excellent idea to promote art and culture is now fully supported by operators of digital networks. Art on screens is a new tendency that is here to stay. Today digital OOH screens not only bring to us advertising and information about commercial events but kindle public interest in museums and art exhibitions. Modern digital screens became useful tools that cater for the emotional and intellectual needs of the public.

LED China 2014: The Exhibition of LED Technologies in China

Curved LED screens


Exhibitions in the new Exhibition complex in Guangzhou are always impressive: when approaching the Complex one gets amazed by the sheer size. It seems that an enormous ship of unusual shape has landed over the city. Indeed, the “aliens” did a great job of building a convenient ground for promoting Chinese and extra-Chinese technologies.
“The Spaceship” of the Guangzhou Exhibition Center“The Spaceship” of the Guangzhou Exhibition Center
To venture inside you have to be an exceptionally fit person. The enormous hall, kilometer-long corridors, heavy bags with advertising leaflets – all add to the hard tracking exercise. The Exhibition catalogue reads like an encyclopedia on electronics: it has everything from LED lighting to digital advertising, from industrial machines to diverse finished products.
The Exhibition is dedicated to almost everything: electronics and electrical energetic, LEDs and LED light technology, optics, laser technology, photonics etc. Exhibitors promote all aspects of LED industry from various types of light emitting diodes (LED, OLED, LD, EL) to LED materials and components, industrial equipment, LED systems of outdoor and indoor lighting, LED screens, signs and curtains, LED packaging and OLED displays. But the key word that characterizes the Exhibition is “advertising”.
Naturally, the Exhibition attracts numerous foreigners eager for a profitable deal on a notoriously cheap Chinese market. But even without foreigners the Exhibition is a success due to high level of internal market growth in China. In 2013 China’s advertising spending reached 429.5 billion yuan (70 billion US dollars), up 10.7% from 2012. The report also predicts that in 2014 China advertising spending will reach 480.1 billion yuan, up 11.8% from 2013.
The Chinese are not planning to stop there. The report on China’s advertising market forecasts is optimistic. To some extent, this also confirms the forecasts released by International Monetary Fund in July. According to the forecast, China’s GDP will grow by 7.8% in 2013, growth in 2014 will reach 7.7%. Compared to the global economic growth in the next two years, the forecast is only 3.1% and 3.8%. However, Chinese economy still maintained a high growth. Not a bad deal in times of world depressed economy.
Experienced readers would immediately comment that the major part of these budgets is spent on TV advertising. Indeed. China media still put the major investment in TV and this is benefit from the huge audience. In 2013 China’s TV advertising spending is expected to reach 220.7 billion yuan (36 billion US dollars), accounting for 51% of all advertising spending. Another 26% goes to Internet-based and printed media advertising. And the meager 23% of the 70 billion dollars are left for the Chinese OOH advertising industry. Judging by the Guangzhou Exhibition this is quite a sufficient amount.
A few words about the Exhibition proper. About 10 years ago correspondents of “Screens.ru” attended a similar event in Beijing. It was a pitiful show: a couple of small halls, two dozen exhibitors, five- or six of who bravely displayed LED screens of good (for that period, though) quality.
10 years later the Guangzhou Exhibition is vibrating with light of hundreds of LED screens, media façade structures and signs. A buyer will be easily lost in this sea of flashing light, in a labyrinth of halls with thousands of aggressive exhibitors. The logistics is easy when you know what you are looking for. The organizers did an excellent job. But if you came to browse you will first drown in the flood of information and smiles of insistent Chinese salesmen.
The products displayed are very similar. The prices are very similar. But to understand who is better, with higher quality, more reliable, who will stay in business several years after the sale (when the guarantee period is over and it is time for maintenance, replacement of spare parts etc.). The exhibition is a good event to make a first acquaintance. But then one would be advised to visit the factory to understand better if the first impression was correct.
The February Exhibition in Guangzhou is characterized by several tendencies in the area of LED technologies:
  • The latest fashion is manufacturing of LED modules in die-cast cabinets. The technology was initiated by Barco a few years ago. Today this is high fashion in China. Naturally, all manufacturers explain that they are exclusive patent holders and offer colorful licenses as a proof.
  • The cabinets continue to slim and lose weight that makes rental and stationary screens almost identical.
  • LED curtains for media façades are everywhere. The technology matured and works well in many countries today.
  • The LED screens are rarely square or rectangular these days. It would be too simple and predictable. Modern shapes are convoluted, ingenious and sophisticated. Anything will do as long as it is non-standard.
  • The pixel pitch is getting tighter by the day. As a result, the screens become brighter and the image has better contrast. You may easily find a LED screen with resolution as good as that of and LCD display.
  • LED screens attempt to compete with LCD in another area – in 3D imaging.
  • Dozens of new companies appeared in the market who are designing, manufacturing and promoting their own control systems for LED screens and LCD networks. This is a serious and concerted effort to push the so far indisputable leaders - LINSN, DB Star and Nova – out of the market.
In other words, the Exhibition is useful and worthwhile. It proves an obvious fact: the LED is a new power, and the recently popular technologies of neon advertising and incandescent lamps have lost the battle.
Unilumin stand at LED China 2014LED Ball
Unilumin – one of the Chinese companies with numerous projects in China and other countriesLED balls look exceptionally well and they stopped being a unique product


LED cabinets noticeably slimmedModules and cabinets in aluminium die-cast frames
LED cabinets noticeably slimmedModules and cabinets in aluminium die-cast frames


New control systems for LED screen networksNew control systems for LED screen networks
Competitors are eager to storm the market of control systems for LED screens and LCD networks


An LED screen from the back sideUnusual shapes and colors of LED cabinets
Just a few years ago the backside of a LED screen looked like a web of cablesFuturistic frames: when image quality is similar to others, you have to find a way to stand out


Innovative shapes and forms of LED structures
Innovative shapes and forms of LED structures


LED curtains for media façades3D image on a LED screen
LED curtains make LED structures seem weightless and ephemeral3D: the monsters are now charging at viewers from both LED and LCD screens. Beware!

Lumen - The New Voice of Johannesburg.

Johannesburg has a new illuminated look projecting from its sky, courtesy of the Absa Towers skyscraper amidst its central business district. Absa is a member of the Barclay's Group, and one of South Africa's largest consumer banks supporting the South African community with financial services representing their retail, business, corporate and investment banking opportunities throughout the country.

Absa Lumen - A Media Showcase

The Absa Tower has recently installed Lumen, the world's largest LED messaging screen which has been placed on the crown of the 29-story building, wrapping around each side and presenting full color messages that can be seen for miles from any side of the building. Beyond being the biggest LED displays in the world of its kind, the Absa screens also contribute to positioning Johannesburg as the leading business center on the African continent. Not only are the Absa displays promoting its branding and financial services messaging to the community, but is also providing a highly visible cultural presence showcasing a state-of-the-art large scale public media communications system.
The world's largest LED messaging screen of ABSA TowerThe world's largest LED messaging screen of ABSA Tower
The world's largest LED messaging screen of ABSA Tower
Photo credit: Herring Media Group
From creation to completion, the Absa Lumen project was designed by the Herring Media Group (HMG), of Glastonbury, Connecticut, which is a consultancy that specializes in the design, management and execution of advanced communication solutions, including the integration of Architectural Media tm as part of a building design. The company's principle designer and Creative Director, Marc Herring noted that HMG was the lead design consultant for the LED systems, and was part of an international team of leading professionals, including Project Architect, GHL and Associates, Turner & Townsend, Tiber Bonvec Construction, and WSP Structures Africa, WSP Consulting Engineers SA.
The Absa LED screens, each sized at 56-feet tall x 124-feet long (38x17 m) have the distinction of each screen being almost twice the size of a basketball court. The LED screens were acquired from Barco (Kortrisk, Belgium), a global technology company that designs and develops visualization products, including the LED screens for indoor/outdoor display solutions. For the Lumen project, Barco supplied its LiveDot TF-20 LED tile (3-feet square) with a 20 mm pitch. The LED tiles are robust indoor/outdoor modules rated at IP 65, making them waterproof and suitable for the outdoor display situations.

Barco Livedots TF-20 LED Screen

Managing each Lumen display was four Barco DX-700 units, a video processor capable of driving large LED walls, in a full operational mode. In terms of screen operations for display content, Lumen is able to present its content on either four separate screens with identical messages on each side of the building, or as a single “streaming” message that scrolls from one side of the building to another as it wraps its content around the building.
To enhance its viewing capabilities, the TF-20 is configured with brightness optimizing features including a 6000 nits brightness ratio for both day and evening display presentations. The LED screens are full color and for ease of viewing, brightness levels can be controlled separately and automatically. Each Lumen display includes a contrast-enhancing shader that allows for lower brightness and lower power consumption at any time of day during the LED screens operations. Moreover, the tilted LED configurations aim the LEDs downwards to ensure that its display content is well targeted at its audience proving full screen visibility at any viewing location in sight of the displays.
Mounting of giant LED screens of ABSA Tower
Mounting of giant LED screens of ABSA Tower
Photo credit: Herring Media Group
The final installation of the LED screens as described by Herring began with the fabrication of a great number of massive steel frames that were hoisted and assembled at the top of the building, with each frame mounted to a building side. With the steel frames erected and completed, the Barco LED tiles arrived on-site and were lifted in place from its staging area to the building's crash deck for final placement on each steel frame. As Herring noted, “…each LED wall was built one tile at a time on the roof of the building with flawless precession by our local teams. In the configuration of each Lumen display, 720 tiles were combined together to create each of the four LED screens, with a total of 2880 TF-20 tiles comprising the full wrap around display. Each of the Lumen displays were assembled between 15-20 days apiece. Over 70K accident-free man hours working at height were accomplished in less than 6 months.”

Lumen Solar Cell Farm

With the Barco displays in place, each LED board consumed 52% less energy than similar competitor designs. Not only are the LED boards very energy efficient, but its power configuration also includes a first-time use for an LED display of a massive photo-voltaic farm comprised of dozens of solar cell panels to provide much of the required energy for the boards' ongoing operation. The photovoltaic farm located on nearby building roofs will offer approximately 700 000 kW/hrs of power or approximately 23% of Lumen's total energy consumption.
Beyond installation, during the Lumen display's inaugural period, HMG is also part of a team that is responsible for its operation and management and to provide some of the display's creation content, to coordinate traffic management for content operation, and as well is responsible for maintenance and monitoring of Lumen's board operation. “There are several groups, some in various time zones, who contribute to operating and supporting the Lumen displays,” said Herring. “This includes ongoing performance review with the ability to monitor the Lumen displays in real-time via CCTV from other nearby buildings surrounding the Absa Tower. Technical support is local, and on-call 24/7 to be dispatched to the installation as needed.”
Although recently introduced, Absa's Lumen is on its way to becoming a distinct world-class LED landmark, not only for its distinctive size, but also for its unique subsequent photovoltaic solar farm power source. Further along Lumen also acts as a cultural catalyst in the city's urban redevelopment of its central downtown district, as Herring pointed out, “Johannesburg, and the African continent, is going through a major revitalization. The Absa Tower displays are now a critical part of that development with its digital signage not only providing an important commercial communications asset, but a cultural asset as well, because the display speaks in a visual vernacular - to One Africa.” With so many different languages in play the importance of the Absa LED displays visual content is magnified by the challenge of creating iconic messages that cuts through cultural and language difficulties and still presents the same message to their surrounding community.

Video LED Screens for Fashion Outlets in Chicago

In May 2013 Kiev hosted an interesting Conference “Outdoor Advertising in Ukraine: Challenges of the Third Decade”. Screens Magazine was invited to observe, present a report and mingle which we considered an interesting opportunity to get a firsthand experience in Ukrainian digital environment.
The majority of participants represented traditional advertising companies and supported traditional opinions that are basically reduced to the following strategy:
  • Increase the number of advertising surfaces as much as possible;
  • Eliminate competitors leaving 2-3 players in the field.
This is the desired state for such companies, the efficiency will be ensured by the monopolistic number of advertising surfaces, and nobody cares about the city environment and cluttering of public space with invasive billboards. This is the main principle governing so far the advertising policy in Russia and the USA. Most such companies forget that the cluttered space is annoying both at home and outside and the advertising efficiency suffers.
Luckily, the Ukrainian approach was different. The site for the Conference was selected well: Premier-Palace hotel in downtown Kiev served as an excellent model for the main Conference message. The hotel is well-equipped with digital advertising screens, thus following in the trendy footsteps of the many progressive and forward-looking cities, such as Hong-Kong, Beijing, Shanghai, London, Tokyo etc.
Specifically, the advertising trends there attempt to:
  • Expand functionality of OOH advertising displays;
  • Turn advertising structures into permanent and eye-pleasing city furniture;
  • Combine various networks (both indoor and outdoor) into a new digital mass-media: DOOH-OOH.
Digital advertising in the Premiere-Palace Hotel in Kiev
Example of the unified informational space created with digital outdoor screens and indoor displays
The photos show a LED video billboard at the hotel entrance that complements the architecture of the building and looks good on the background of the surrounding space. The screen displays information about hotel events and services, about restaurants and kitchen specialties. The hotel lobby features both static and digital advertising, focused on hotel clients and cleverly selected as to be useful and well-presented. All lifts are equipped with advertising and informational displays.
The moment you step out of the lift you see more LCD screens at all hotel floors. As a result, a person inside the hotel building is surrounded by a certain informational field from the time a person approaches the building and to the moment he enters his room. And all that static and dynamic advertising is placed strategically and does not annoy. Obviously, this is a result of a well-planned creative approach to OOH advertising that was approved by architects, designers and psychologists.
So, Premier-Palace hotel is a pleasant exception from the rule that is sadly still prevalent in Russia and Ukraine: the task of creating a unified informational space is rarely resolved so effectively and elegantly.
Compare for example any underground passage or metro carriage in Kiev: you will see the impossible number of chaotically placed advertising signs, a forest of static boards near metro entrances, unappetizing displays in heavy metal boxes covered with additional advertising stickers on all sides.
Chaotic advertising in Kiev metroChaotic advertising in Kiev metro
Chaotic advertising stickers and monitors in Kiev metro
The approach to designing and advertising environment in Premier-Palace hotel is impressive and serves as a good example for others.
Outdoor video billboard in KievLCD screen behind the glass in the lift
Outdoor video billboard and behind-the-glass LCD display in the lift of the Premiere Hotel in Kiev
Impressive were the issues raised at the Conference, the list of guests and excellent quality of most of the reports. Obviously, the organizers – The Ukrainian Outdoor Advertisers Association, Ukrainian Advertising Coalition, Social Advertising Exchange, The Transport Advertising Union, Sostav.ua, Mediabusiness.com.ua, OOH Mag – made an effort to turn a local conference into an important international event, invited presenters from all spheres of the advertising world, attempted to tackle a wide range of issues in the area of creative technology, innovation and tradition, static and digital approaches.
There is no need to reprint the reports; you may easily find them all on the Internet. But some presentations need comment. For example, a report by Stuart Nicolson, Director of Network Communication at Zenithoptimedia Worldwide “The Big Picture: Changing consumer expectations, challenges to the advertising media, future of OOH” gave an overview of the latest trends in interactive OOH technologies. Stuart Nicolson described how lucky we all were to live in a digital world when measuring the influence of advertising technologies on clientele became fast and affordable.
Stuart Nicolson makes his presentation at the Kiev ConferenceStuart Nicolson makes his presentation at the Kiev Conference
Stuart Nicolson makes his presentation at the Kiev Conference
Albert Asseraf, Strategic Marketing Research Director at JCDecaux (France), Professor at Sorbonne University, arrived with a report on “Research and Innovation in Outdoor Advertising as a Basis for the Future”. Since the majority of Conference guests were from the traditional static advertising companies, Prof. Asseraf concentrated on new JCDecaux solutions for static advertising.
From the leading expert in this area, the message to develop static advertising sounded strange and contradicted to the efforts of JCDecaux to promote a multilateral approach to advertising in all areas of the world. Take for example, recent projects at Dubai airport or Hong-Kong MTR (metro) that creatively combined multiple digital LED and LCD screens with traditional static advertising.
What is important is that JCDecaux strives not so much to implement the latest innovations, as to effectively solve the problem of its customer. The proportion of dynamic and static advertising is determined based on the task by marketing specialists. An appealing combination of different approaches – static and dynamic – makes advertising campaigns effective and positively affects the potential customers. All over the world JCDecaux creates a new advertising environment that will stay with us for many years to come.
LED and LCD screens at Dubai airportLED and LCD screens at Dubai airport
Circular LED screen at Dubai airportCircular LED screen at Dubai airport
LED and LCD screens at Dubai airport – Project by JCDecaux


LCD screens in Hong-Kong metroLCD screens in Hong-Kong metro
JCDecaux-run project of digital interactive advertising in Hong-Kong metro
Albert Asseraf devoted part of his presentation to creative messaging in OOH. How should a static message or digital picture look? How should we select shapes and forms, colors and fonts, angles and places for new OOH advertising? All these questions were answered and demonstrated with already implemented projects.
JCDecaux is one of the few companies that follows a revolutionary road of building new advertising environment. The company recently set up a whole new division that is tasked with studying OOH advertising messages, teaching OOH and DOOH specialists to effectively create static and dynamic advertising content.
In doing this, JCDecaux follows the examples of famous movie directors who also worked in the area of advertising: for example, Jan-Luc Godar (2008), James Benning (2009) or Apichatpong Virasetakul (2010). They proved that an advertising clip for cinema halls, TV sets and OOH areas (if we consider its efficiency) should differ in format and content, in creative and artistic approaches.
A film in a cinema and on a TV is made of a sequence of frames. But the environment in which the clip is presented differs greatly. That is why transferring TV clips into the DOOH media is not always effective. Changes must be made; specialists must adjust the artistic and social aspects of the advertising space. Similarly, not every advertising from a glossy magazine can be automatically transferred to an outdoor billboard.
Alber Asseraf delivers his report at the Kiev ConferenceAlber Asseraf delivers his report at the Kiev Conference
Alber Asseraf delivers his report at the Kiev Conference
Andrew Kinsel from Atlantic Group presented an interesting and inspiring report on “Outdoor advertising: Internet and Efficient Integration Tool”. He demonstrated several useful Internet applications that allow to easily and quickly plan an advertising campaign without leaving your house. He proved that a well-planned OOH campaign may be may be even more efficient than a similar TV-based campaign.
We certainly urge our readers to look through some other reports at the Conference that could be accessed through oohconference.kiev.ua web-site. One topic was mentioned repeatedly during the conference: the social responsibility of outdoor advertisers.
Less than a week after the Conference the company HITECH Advertisement (frequently mentioned during Conference proceedings in relation with socially-focused cases) announced its socially-focused advertising project in cooperation with the Ukrainian Ministry of Emergency Situations. Marketing Director of HITECH Advertisement Sergey Fedorenko said “We responded to the initiative of the Ministry of Emergency Situations immediately. Socially-oriented advertising is essential to people especially in emergency situations. People must know where to go, where to call in emergency”.
Previously HITECH Advertisement implemented an important and popular Internet-based project in Russia together with the search engine company Yandex: an interactive Yandex-Traffic Jams project. Projects like these prove that none of the traditional advertisers with their thousands of advertising surfaces are capable to implement new socially-oriented projects that are currently in great demand.
OOH screen acquire new ideological importance in times of significant events: for example, at the time when Chinese astronauts (taikonauts) were successfully launched in space, in China all outdoor media screens – in public buildings, in transport, in entertainment complexes, etc – showed images of the launch and official comments in daily news.
Broadcast of news about spaceflight on LED screens in ChinaBroadcast of news about spaceflight on LED screens in China
Broadcast of news about Chinese astronauts in space on city LED screens in China
Part-time utilization of private advertising digital OOH resources for the needs of municipal and federal authorities became a rule for all Chinese advertisers about two years ago.
It seems that Kiev authorities understand the need of merging commercial and public informational needs and wish to support this in the city and promote the trend to the whole of the Ukraine.
This utterly modern and useful approach is now being implemented in the Ukraine, following the example of the USA with its Amber Alert Program (search for missing persons), England (Amscreen network initiative), China and Russia (AstraVision Network initiative in St Petersburg), etc. In all these cases digital billboards are used as multifunctional systems, as part of the informational outdoor media, as a new digital environment of modern cities.
Vladimir Krylov talked about “Modern Trends in OOH: Transition from Static to Dynamic Advertising”. This tendency however does not mean that static advertising is dying. Yes, digital advertising expands in proportion while static advertising is gradually losing ground. However, at some point soon these two “adversaries” will reach equilibrium and start working together complementing each other. Today modern cities need balanced approach to advertising that would combine architectural solutions, creative and artistically pleasing content. Unfortunately, such balanced approach we have seen only in major Chinese cities where the interaction of the city environment and advertising is structured according to the feng shui principle.
Feng shui (means “water and wind”) is an accepted practice of adapting the living space. Feng shui principle will help you find a good place for a house, make proper arrangement of furniture. A feng shui specialist may even predict events based the favorable flows of energy and their influence on people.”
In China, Japan and Singapore advertising is taken seriously, not only as a tool for making money but as an important part of our daily life and environment. Therefore, advertising there is mostly balanced, organically interacting with the surrounding territory. Even the seemingly chaotic flashing of advertising in Chinese market areas is strictly organized and controlled. The overall effect is that of a harmony that is helpful and informative.
China has a lot of advertising structures, both static and dynamic, especially in downtown areas, on street crossings and in public marketing zones. But all modern redesigned areas are looking deceptively free-of-advertising. The advertising is not invasive, but at the same time can be easily found when necessary. A lot of advertising structures are unusual in shape and format, created with special care to preserve aesthetics of the environment.

Examples of city LED screens in Shenzhen (almost 2 thousand km from Beijing)

Curved outdoor LED screen in ShenzhenCircular 360 degree screen in Shenzhen
Curved outdoor LED screen in ShenzhenCircular 360 degree screen in Shenzhen


A stand with LED screen in ShenzhenLED screen of a building façade in Shenzhen
A stand with LED screen in ShenzhenLED screen of a building façade in Shenzhen
Getting back to the topic of the Conference, we must stress that the organizers are obviously concerned with searching for new solutions that would not be simple or primitive. The negative example of Russian revolutionary approach (dismantle the existing advertising system almost completely – and start building it up again with the purpose of changing ownership) motivated organizers to deep thinking and long-term planning. Advertising system should be a tool in political and economic games but should be a useful marketing and social tool for the benefit of everyone living in a city.
As if to prove this point, Yuri Charukh, President of the Industrial Committee for the Outdoor Advertising, said: “The market and the whole country have to make a choice between intensive and extensive paths of development. We plan to follow the European approach in outdoor advertising. The Conference answers a lot of questions on how to structure our future advertising system. We are ready to change and reform the advertising field: to create new workplaces, to implement modern technology. What we need at present is the support of municipal and federal authorities.”
At the Conference all experts (from Ukraine, Russia and European Union) agreed that OOH – DOOH is close to TV in effectiveness and influence of consumer behavior. What seemed a distant future only a couple years ago has become our reality: outdoor advertising maybe called a new media. And as a new media it has to be structured and regulated with much planning and attention to detail, especially concerning the content.
From the beginning the Conference organizers pose some controversial questions to all its participants asking for everyone’s contribution during general opinion poll: who is right and who is wrong (bureaucrats or monopolists), what style will prevail (digital or static), whose opinion is valid (that of the public or that of advertisers). This helped turn the Conference into a serious platform of exchanging professional opinions and a stage for informal interaction between representatives of different spheres.
The result is predictable: the balance opinions prevail; people agree that future advertising will consist of both static and digital displays, as long as it is well-planned, manufactured with the view towards beauty and harmony, and the advertising content remains eye-pleasing and attractive. What Ukraine is only dreaming about, China has already implemented on a country-wide scale. So, a short (10-hour) trip to China may open your eyes to the future of the industry.
Below is the compilation of photographs from different places and areas, but all of them prove the point of the article – whether indoor or outdoor the advertising should not be offensive to the eye and should be aesthetically pleasing.
LED screen embedded into a billboard in GuangzhouLED screen embedded into a billboard in Guangzhou
Combination of digital and static advertising at a street crossing in Guangzhou


LCD and LED displays in Hong-Kong metroLCD and LED displays in Hong-Kong commercial centers
Combination of LCD and LED displays in metro and commercial centers in Hong-Kong


Digital and static advertising in Hong-KongDigital and static advertising in Hong-Kong
Combination of static billboards and LED displays in Hong-Kong streets


Digital and static advertising at railway terminalsDigital and static advertising at railway terminals
Digital and static advertising at railway terminals


Digital advertising and billboards in Hong-KongDigital advertising and billboards in Hong-Kong
Utilization of static and digital advertising approach in commercial centers in Hong-Kong


LED screen in Hong-KongLED screen in Hong-Kong
Creative advertising on digital screens in Hong-Kong